On 26 January at 10.45 am, Jean-Claude Verdot looking through a stack of applications for financing. Many artists asking for money to the government, and the pile was high. When he felt some fatigue, Jean-Claude was reading an article in the newspaper Le Monde before returning to the task. In the newspaper
The World the news was good. It was now clear that young people who beat to death the old lady had no intention to kill. They simply wanted to intimidate him and had hit a bit too hard. Moreover, the witness who had seen his corpse attached to the rear of the stolen vehicle and drag him down the rocky trail was confronted with young and had retracted. A psychologist at the University of Rouen explained to readers of World how it was a sad story, a sad parable of the unhappiness of a Suburban youth in distress, but also a true story reveals the difficulties of integrating the elderly in the era of the smart card and the world wide web. In sum, this incident was almost a good thing because it allowed the psychologist and the newspaper Le Monde to wonder about the collective problems of society today and concerted measures to be taken by governments to address the situation. The psychologist said that culture was a privileged way of citizenry. So it's loaded with highly political - in the true sense the term - so sacred - his task, Jean-Claude Verdot took the first request for funding.
She was from a young filmmaker who demanded full of promises to the community its fair contribution to a first feature film. It included two letters of recommendation from one Markowicz himself, the other a drama director, who had left an unforgettable Mother Courage twilight, transposed into a ghetto dream, populated by mutant bats wearing gray coats.
The first feature film from a promising young filmmaker describing the uncertainties in love with a young woman in search of her sexual identity after her partner had died of AIDS. A project original and contemporary, which awaken the vigilance of the secular bourgeois intellectual of the Left Bank, and Jean-Claude gratified to note 17/20.
But the second project was more daring. In addition, it was from a woman, and Felix Rocquencourt, based on a keynote speech of the Minister, had given priority to the creation of women. It was shown that women read three times more than men, attending a point sixty-two times more museums and accounted for seventy-two percent of subscriptions theater. There was really something to celebrate, but then why the majority of designers were they not créateuses? This scandal should cease immediately, and the Ministry of Cultures Partners them employed through grants "fertile women".
So the bold project this young designer described how a young person, following a traumatic experience incestuous, gradually discovering his homosexuality throughout his wanderings between urban and Mabillon Richard-Lenoir. It was rated 18/20.
But the third project seemed fundamentally more attractive, along with comedy and truly citizen. A nice bunch of kids from a neighborhood that moves infiltrates a small extreme-right in order to thwart a plot against an environmentalist candidate in legislative elections. He received the grade of 18.5 / 20.
Finally, the "living memory of the Holocaust" only received 16/20, despite the emphasis by the Department the duty to remember, they had been instructed to avoid offending sensibilities in a time of friction Middle East and would have been a shame to jeopardize sustainable peace by throwing oil on the fire, Jean-Claude Verdot was convinced that he did not linger to wonder why the project "living memory of the Holocaust" could undermine sustainable peace.
After four funding applications, he felt fatigue legitimate. He went to have coffee with her colleague and said Odile reading World . On page 7, a cleric denounced the Socialist scandalous selfishness of the United States. They refused to cooperate in the fight against global warming, preparing for wars unjust, and demanded a special status for their troops. They had abused their superiority technology to build a space defense system inviolable, in defiance of allies and without reference to the international community. Worse, they seemed well prepared for climate manipulation in order to reverse the Gulf Stream, which would deal to Europe's cold winters which she would never recover. The author was fuming with rage at the idea that their military superiority prevented any international peacekeeping force to disgorge this rogue state. The poor are dying of hunger and monopolies kept the rest of the population in the moral and cultural dearth. The author wished for its construction a humanist Europe, centered on man, where the State Ombudsman of solidarity, the guarantor of human rights, alleviate the suffering moral and intellectual men. It had to end this clique of greedy billionaires who, from their lofty skyscrapers of Wall Street, oppressed the entire planet.
Buoyed by the idea that Europe humanist would never happen without the ministry of culture and solidarity, Jean-Claude Verdot boldly attacked the following folders.
In the "arts", a "collective vigilance" proposed to build on the museum plaza Norbert Walsung a stele that any person who considers himself a victim of discrimination would carve his name. It was citizen and participatory, but no conceptual or kinetics, and it sounded outdated in the era of modern sculpture by Deborah Gonzalez. We could have shown more boldness. Responsible for the Department's mission returned from San Francisco, alarmed: happenings scatological, sadomasochistic exhibitions and exhibitions genital multiply, Paris relegating the status of provincial town ruled the chaotic birth of the new post-human art. We cared about at the highest government level, but Jean-Claude Verdot could contribute to national revival by making abortion obsolete and reactionary projects.
The World the news was good. It was now clear that young people who beat to death the old lady had no intention to kill. They simply wanted to intimidate him and had hit a bit too hard. Moreover, the witness who had seen his corpse attached to the rear of the stolen vehicle and drag him down the rocky trail was confronted with young and had retracted. A psychologist at the University of Rouen explained to readers of World how it was a sad story, a sad parable of the unhappiness of a Suburban youth in distress, but also a true story reveals the difficulties of integrating the elderly in the era of the smart card and the world wide web. In sum, this incident was almost a good thing because it allowed the psychologist and the newspaper Le Monde to wonder about the collective problems of society today and concerted measures to be taken by governments to address the situation. The psychologist said that culture was a privileged way of citizenry. So it's loaded with highly political - in the true sense the term - so sacred - his task, Jean-Claude Verdot took the first request for funding.
She was from a young filmmaker who demanded full of promises to the community its fair contribution to a first feature film. It included two letters of recommendation from one Markowicz himself, the other a drama director, who had left an unforgettable Mother Courage twilight, transposed into a ghetto dream, populated by mutant bats wearing gray coats.
The first feature film from a promising young filmmaker describing the uncertainties in love with a young woman in search of her sexual identity after her partner had died of AIDS. A project original and contemporary, which awaken the vigilance of the secular bourgeois intellectual of the Left Bank, and Jean-Claude gratified to note 17/20.
But the second project was more daring. In addition, it was from a woman, and Felix Rocquencourt, based on a keynote speech of the Minister, had given priority to the creation of women. It was shown that women read three times more than men, attending a point sixty-two times more museums and accounted for seventy-two percent of subscriptions theater. There was really something to celebrate, but then why the majority of designers were they not créateuses? This scandal should cease immediately, and the Ministry of Cultures Partners them employed through grants "fertile women".
So the bold project this young designer described how a young person, following a traumatic experience incestuous, gradually discovering his homosexuality throughout his wanderings between urban and Mabillon Richard-Lenoir. It was rated 18/20.
But the third project seemed fundamentally more attractive, along with comedy and truly citizen. A nice bunch of kids from a neighborhood that moves infiltrates a small extreme-right in order to thwart a plot against an environmentalist candidate in legislative elections. He received the grade of 18.5 / 20.
Finally, the "living memory of the Holocaust" only received 16/20, despite the emphasis by the Department the duty to remember, they had been instructed to avoid offending sensibilities in a time of friction Middle East and would have been a shame to jeopardize sustainable peace by throwing oil on the fire, Jean-Claude Verdot was convinced that he did not linger to wonder why the project "living memory of the Holocaust" could undermine sustainable peace.
After four funding applications, he felt fatigue legitimate. He went to have coffee with her colleague and said Odile reading World . On page 7, a cleric denounced the Socialist scandalous selfishness of the United States. They refused to cooperate in the fight against global warming, preparing for wars unjust, and demanded a special status for their troops. They had abused their superiority technology to build a space defense system inviolable, in defiance of allies and without reference to the international community. Worse, they seemed well prepared for climate manipulation in order to reverse the Gulf Stream, which would deal to Europe's cold winters which she would never recover. The author was fuming with rage at the idea that their military superiority prevented any international peacekeeping force to disgorge this rogue state. The poor are dying of hunger and monopolies kept the rest of the population in the moral and cultural dearth. The author wished for its construction a humanist Europe, centered on man, where the State Ombudsman of solidarity, the guarantor of human rights, alleviate the suffering moral and intellectual men. It had to end this clique of greedy billionaires who, from their lofty skyscrapers of Wall Street, oppressed the entire planet.
Buoyed by the idea that Europe humanist would never happen without the ministry of culture and solidarity, Jean-Claude Verdot boldly attacked the following folders.
In the "arts", a "collective vigilance" proposed to build on the museum plaza Norbert Walsung a stele that any person who considers himself a victim of discrimination would carve his name. It was citizen and participatory, but no conceptual or kinetics, and it sounded outdated in the era of modern sculpture by Deborah Gonzalez. We could have shown more boldness. Responsible for the Department's mission returned from San Francisco, alarmed: happenings scatological, sadomasochistic exhibitions and exhibitions genital multiply, Paris relegating the status of provincial town ruled the chaotic birth of the new post-human art. We cared about at the highest government level, but Jean-Claude Verdot could contribute to national revival by making abortion obsolete and reactionary projects.
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