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On April 7 at six o'clock in the morning, the fourth regiment of marine infantry parachute establishes its position at the museum Norbert Walsung. The first detachment under the command of Captain Speyer, displayed a security cordon around the central building, while three soldiers were walking to the entrance of the store. Hervé Berneuil housed the second detachment responsible for the protection of major works housed by the museum. He began by installing a machine gun near a giant sculpture of a burnt match, and then, realizing that the left side of the work was vulnerable, including two guards stationed armed with machine guns. He set up two mobile patrols to monitor the works of lesser quality. He sent a third to the control room, where we controlled the holograms and videos, it would be noted by the Engineer Battalion was to happen the next day. Finally, two scouts went in search of Sung-Jun, the highlight of the museum, so famous that its roadmap did not mention its nature or its location.
Every quarter of an hour, he took stock radio with Speyer, who worried about the shop, the terrorists claimed they did not tackle the "commodification of art"? Firecrackers, stink bombs or a bomb could easily hide among the gums, key chains and items stolen. Having given his orders to the sergeant in charge of the battery, Berneuil undertook, with the rest of his soldiers, the systematic exploration of other rooms. The ministry had recommended special attention to works disturbing, provocative and subversive. He spotted four toilet bowls seamlessly attached to a metal partition, although it evoked him, after all, that the communal latrines of the barracks, he decided they were sufficiently subversive, disturbing and provocative in order to post two pomegranate outfielders-equipped heavy helmets. Distributors of chewing gum filled with cigarette butts, beer caps, plastic packaging and fragments used tampons seemed rather a depressing banality. Even the museum had in Djibouti, and local authorities had publicly welcomed this flexibility into the Horn of Africa in Western modernity. There was a lot of scrap cars, scrap heap of shapeless mounds and other heterogeneous materials whose subversive, the deranged and provocativité were difficult to judge. Unable to interpret the vacuum in which these works lethargic plunged him, Berneuil decided to address the issue in a more military. All this was far too exposed, lacked coverage, the layout of the museum apparently unaware of security considerations. Some rooms were indefensible, they had too many doors and station troops there was dangerous because they risked being taken back. That is why he gave up defending four steel beams imbedded in gravel. This was a serious mistake, for though few provocative or subversive, four beams were other than the famous Sung-Jun, which had failed to report a sign not to be an affront to the reputation of the artist. However, he displayed a rocket launcher anti-tank next to a plantation of bamboo, because it was in the corner of a room easier to defend, without suspecting that he was not a work of art but a worthless element of decoration the museum. Similarly, he ordered commandos to protect four hyperrealist paintings representing the buttocks of a woman full of fat and lumpy as they bothered him, unaware that the living art of Deborah Gonzalez relegated these kind of anecdotal evidence to the rank of a past gone. In sum, it was easier to bombard the mujahedeen to analyze the fine developments in the forefront International.
After the attack against the exhibition of Deborah Gonzalez, the government had repatriated troops stationed in Djibouti to protect cultural sites. Among these, the museum Walsung was the most sensitive because, emblematic of the bold artistic policy of the State, he had already been attacked and it was rumored that the terrorists had slipped threats in an application for funding department. Immediately after the departure of the French, the combatants of Allah had captured three villages, engaged, according to some sources, to atrocious massacres which the press had not spoken.
Taking a stand in a museum of contemporary art akin to conquer a desert exposed to enemy attack. The rooms were immense works, often massive, very distant from each other. It was not enough to put a squadron at the foot of a sculpture totem seventeen meters high, it still had to ensure the top of the totem against projectiles: water bombs, Molotov cocktails, grenades ... Conversely, it was more easy to stack sandbags around a kind of twist of barbed wire which evoked a paraboloid hyperbolic or some other surface scholarship.
Moreover, the General Staff of the Army was studying seriously, in collaboration with the Ministry of Culture of Solidarity, the establishment of safety standards for visual work, which would make them less vulnerable to sabotage. Be deprived of state subsidies for designs which fail to adhere to these standards, which would sign their death art. Certainly, the collective would not fail to protest against this interference with the freedom of the artist, but the emergency does not justify it?
There was a tropical aquarium with colorful fish and playful snorted one of the finer fractal Pacific corals, and rightly Berneuil decided to leave it unprotected - located near the cafeteria, and too vivid and colorful for a contemporary work, the aquarium could not, according Berneuil that belong to the decor. In truth, planned for the site of a major bank, another client of Giant Construction, it was installed incorrectly, and the unions had refused to dismantle it. Felix Rocquencourt, embittered by its mediocrity, but wanted to blow up the financial controller refused to allow funding of such operation, while the safety commission was opposed because it would be too dangerous.
However, the huge white sheets hanging on a clothes line left him perplexed. Should this be seen as a work fraught with meaning, a tribute to the work of Mediterranean women, oppressed by millennia of domestication or a guardian he was staying nearby, enjoying the quiet hours to dry their clothes? Or, a collective of artists in search of self-recognition, the excluded protesting against the injustice of their plight, they came to occupy the premises?
In the latter case, what to do ? The General Staff had given any instructions. Speaking founder resumed full by the newspaper Le Monde, the head of government had argued that any transgression provided to help him build a better society. On the other hand, the squatters may have belonged to a gang of saboteurs, and it was then neutralized. Upon reflection, he sent a detachment of elite, armed infrared goggles, walkie-talkies and portable radars, looking for potential occupants.
could hear the hum of a helicopter from the naval air, equipped with missiles air-ground, flying over the museum. The engineer detachment had just arrived, having already installed four batteries of "Milan" to defend outside the museum. The next day, Felix Rocquencourt and a member of the General Staff inspected the troops.

Brdige Designs Balsa Wood

CHAPTER 6 CHAPTER 7 FIRST INTERLUDE

On 26 January at 10.45 am, Jean-Claude Verdot looking through a stack of applications for financing. Many artists asking for money to the government, and the pile was high. When he felt some fatigue, Jean-Claude was reading an article in the newspaper Le Monde before returning to the task. In the newspaper
The World the news was good. It was now clear that young people who beat to death the old lady had no intention to kill. They simply wanted to intimidate him and had hit a bit too hard. Moreover, the witness who had seen his corpse attached to the rear of the stolen vehicle and drag him down the rocky trail was confronted with young and had retracted. A psychologist at the University of Rouen explained to readers of World how it was a sad story, a sad parable of the unhappiness of a Suburban youth in distress, but also a true story reveals the difficulties of integrating the elderly in the era of the smart card and the world wide web. In sum, this incident was almost a good thing because it allowed the psychologist and the newspaper Le Monde to wonder about the collective problems of society today and concerted measures to be taken by governments to address the situation. The psychologist said that culture was a privileged way of citizenry. So it's loaded with highly political - in the true sense the term - so sacred - his task, Jean-Claude Verdot took the first request for funding.
She was from a young filmmaker who demanded full of promises to the community its fair contribution to a first feature film. It included two letters of recommendation from one Markowicz himself, the other a drama director, who had left an unforgettable Mother Courage twilight, transposed into a ghetto dream, populated by mutant bats wearing gray coats.
The first feature film from a promising young filmmaker describing the uncertainties in love with a young woman in search of her sexual identity after her partner had died of AIDS. A project original and contemporary, which awaken the vigilance of the secular bourgeois intellectual of the Left Bank, and Jean-Claude gratified to note 17/20.
But the second project was more daring. In addition, it was from a woman, and Felix Rocquencourt, based on a keynote speech of the Minister, had given priority to the creation of women. It was shown that women read three times more than men, attending a point sixty-two times more museums and accounted for seventy-two percent of subscriptions theater. There was really something to celebrate, but then why the majority of designers were they not créateuses? This scandal should cease immediately, and the Ministry of Cultures Partners them employed through grants "fertile women".
So the bold project this young designer described how a young person, following a traumatic experience incestuous, gradually discovering his homosexuality throughout his wanderings between urban and Mabillon Richard-Lenoir. It was rated 18/20.
But the third project seemed fundamentally more attractive, along with comedy and truly citizen. A nice bunch of kids from a neighborhood that moves infiltrates a small extreme-right in order to thwart a plot against an environmentalist candidate in legislative elections. He received the grade of 18.5 / 20.
Finally, the "living memory of the Holocaust" only received 16/20, despite the emphasis by the Department the duty to remember, they had been instructed to avoid offending sensibilities in a time of friction Middle East and would have been a shame to jeopardize sustainable peace by throwing oil on the fire, Jean-Claude Verdot was convinced that he did not linger to wonder why the project "living memory of the Holocaust" could undermine sustainable peace.
After four funding applications, he felt fatigue legitimate. He went to have coffee with her colleague and said Odile reading World . On page 7, a cleric denounced the Socialist scandalous selfishness of the United States. They refused to cooperate in the fight against global warming, preparing for wars unjust, and demanded a special status for their troops. They had abused their superiority technology to build a space defense system inviolable, in defiance of allies and without reference to the international community. Worse, they seemed well prepared for climate manipulation in order to reverse the Gulf Stream, which would deal to Europe's cold winters which she would never recover. The author was fuming with rage at the idea that their military superiority prevented any international peacekeeping force to disgorge this rogue state. The poor are dying of hunger and monopolies kept the rest of the population in the moral and cultural dearth. The author wished for its construction a humanist Europe, centered on man, where the State Ombudsman of solidarity, the guarantor of human rights, alleviate the suffering moral and intellectual men. It had to end this clique of greedy billionaires who, from their lofty skyscrapers of Wall Street, oppressed the entire planet.
Buoyed by the idea that Europe humanist would never happen without the ministry of culture and solidarity, Jean-Claude Verdot boldly attacked the following folders.
In the "arts", a "collective vigilance" proposed to build on the museum plaza Norbert Walsung a stele that any person who considers himself a victim of discrimination would carve his name. It was citizen and participatory, but no conceptual or kinetics, and it sounded outdated in the era of modern sculpture by Deborah Gonzalez. We could have shown more boldness. Responsible for the Department's mission returned from San Francisco, alarmed: happenings scatological, sadomasochistic exhibitions and exhibitions genital multiply, Paris relegating the status of provincial town ruled the chaotic birth of the new post-human art. We cared about at the highest government level, but Jean-Claude Verdot could contribute to national revival by making abortion obsolete and reactionary projects.

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A masked gang sabotaged exposure Deborah Gonzalez

They dared. While the artistic community were to host a party last exposure Deborah Gonzalez, the creative unknown to the general public but that specialists are following with attention, simply because it is revolutionizing the sculpture, a band of jokers out of nowhere, nose and beard of the museum staff Norbert Walsung, wearing masks cheesy and tasteless, have allowed to spray paint four of the forty models of exposure. Thus ends, because of unconscious rudeness of savages, one of the most original aesthetic experiences of the coming century and whose technical development and choreography, it goes without saying, has required months of work. The joke could have been very wrong, because one of the models should have been rushed to hospital and received a work stoppage for two months. Fortunately, his days are not of anger.

Questioned by the press, MZ, Museum Director Walsung, strongly condemned the attack and said that proceedings would be initiated. The delegate of the CGT peronnel museum expressed dismay at "the unspeakable damage to the access of all to culture." "The management, he said, is largely responsible for this act of sabotage. Ignoring warnings from union representatives, she spent - on behalf of a logic of profitability that we condemn - means wholly inadequate for monitoring and securing the socio-cultural space. "

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On Monday, March 25, Nicole Michaud, pre-retired of Education, left home to go to the exhibition of Deborah Gonzalez. It was cold, not to put off a hustler. She made a slight detour to take the subway because she wanted to avoid a bunch of guys pretty dirty, accompanied by German shepherds, begging for money and cigarettes. She knew they were not dangerous, it was enough to answer them kindly, smiling, and it expressed its solidarity, we recognize them as similar. But on the morning of Monday, March 25 Nicole Michaud was tired, she did not want to smile to his fellows, indeed it was longer very sure that there was anything similar to them and, if it is an anatomical structure that she also shared with most mammals.
The ride went smoothly, and the windows were scratched as usual, and it annoyed him a bit more than usual, although she was perfectly aware that 1) this kind of vandalism was not very serious, there was no big deal and 2) it would disappear once you have treated collectively substantive issues, sociological, economic, and cultural. The work
Deborah Gonzalez inaugurated a museum of contemporary art we had just built on the edge of the device. Nobody knew who was Walsung Norbert, who gave his name to the building. But it was said that the funding was questionable. Felix Rocquencourt have used all his influence with the President. We had to give up nurseries, schools and hospitals. There was one death in unclear circumstances.
Leaving the subway, Nicole Michaud was dazzled. There was first a vast esplanade, worthy of a Christian or Muslim pilgrimage. She would testify to archaeologists thousands of years to come, the great fervor that drained Contemporary Art. Fountains pyramidal, cubical and spherical, designed by none other than Sung Jun (because why quibble when you build in the collective interest?), Punctuating this stretch of concrete that future generations could easily convert more pragmatic in airstrip. [The Ministry of Culture of Solidarity, however, ensured that these generations avoid falling into a dish materialism.] Of course, zigzagging between rollerwomen skatemen and fountains, and their fluorescent leggings drew coils Carnival in the dull light of the winter ending. In these early hours, there was too much, mostly in their forties were freshly converted to the sport.
The museum itself consisted of a circular concrete wall that no opening is pierced, domed plexiglass supported by a wire mesh. Bad language would have compared the building to a prison, unable to understand that the lack of windows symbolized the virtues claimed by the intransigence of contemporary art.
A special team of disadvantaged young people hired under special contracts was responsible for cleaning the dome was a heroic job, he was clinging to a rope and crawl like an insect on the slippery walls, like a mutant hero of American comic. The CGT and the Committee on Health and Safety at Work protested, but we could not let dust accumulate on a museum of contemporary art, it would have been more qu'inconvenant: politically suspect, and the department had made funds available to finance increased capacity and working time arrangements available to the CGT final settlement.
There was a long queue, but only for tourists, because Nicole Michaud as Paris and pre-retired national education benefited from the special concern of the authorities, and had a pass for direct access to museum spaces in the capital .
The museum's management had made a special effort to integrate disabled people into the world of work. Many guards were traveling in wheelchairs, some cashiers emerged from serious psychological disorders, other employees were shaken by stuttering and tics doubtful the information booth, we had the facies clearly Mongoloid, while in the locker room, it was dying, coughing of some immune deficiency terminal.
The revolutionary work of Deborah Gonzalez, a pioneer of Living Art, featured fifty naked men over the age of forty-five. They came from all walks of life: artists, marginal, fathers, sports, advertising moguls and teachers of Classics. They had asserted their pride in the press to lend substance to this unique experience. They were exhibited in cages of various materials, but all bio-degradable bamboo, sisal, papyrus, vines, branches of sycamore, plywood, etc.. "What interests me above all, had shamelessly told the artist to review Cyber-Art is man in his nakedness. She had shaved their head to affix his signature. Le Nouvel Observateur had devoted a special issue to the exhibition on the theme "women to take back the body of man." A fifty intellectuals, artists, designers, researchers and journalists to express their views. The Living Art of Deborah Gonzalez borrowed directly, concretely and physically to nature. The vanguard found it earlier suddenly relegated to the dustbin of history.
Although a native of San Francisco, California, Deborah Gonzalez chose to live in Paris. Nicole Michaud
peered curiously at the body, they evoked neither the strength nor the ancient heroes of Mr. Muscle and other stars of the muscle-and they were pretty flabby, wrinkled, and the tail hanging, prostrate and shameful, froze in poses humiliated, either spontaneously or under the instructions given by the artist, their flesh on the threshold of old age refracted shadows pale projectors sepia, gray and purple, was the distress the Western white male after he had laid the burden of history. She felt a subtle emotion as a funeral touching, something discreet and Racine that spelled out the hum of air conditioning and the distant echo of the store's cash registers.
We had the right touch, it was envisaged in the concept was the ultimate transgression, the ultimate demolition of the fiction of a respectable art, but she dared not, she stayed behind, fascinated by this poignant tribute. Around it, the Boeotian stifled their giggles.
Models had slender legs, shoulders hunched and ribs protruding, their bodies had nothing more to say, he had no function other than its own maintenance. The saddest thing was their buttocks, pitiful residue of all defeats.
With allowances, Nicole Michaud had undertaken a methodical cultural odyssey She originally infatuated archaeological travel - Angkor, Karnak, Cuzco - favoring, thanks to numerous scholarly books, an intelligent reading of the remains. Then there had been major museums around the world, it had taken courses in art history and had tried to watercolor. Then run out of money, she had passed on the literary scene, devouring the latest Femina, Goncourt and Renaudot. When she had a headache, she put down her book and went to see a film - the cinema of the corner loved young French authors, which still did not solve the headache. Then there was kinetic art, visual artists and designers. And also the theater avant-garde and modern dance. Nothing that was not cultural was foreign to him.
The effect produced by the eclectic brew chowing down on it every day came down to this adjective trivial: she was happy. There was always at least one reason to be satisfied in each of his aesthetic experiences. She was glad to have seen what he had to see him recover his memories in a novel fashion, the comic too large of a sculpture, decorative virtues of a pictorial motif, or a saucy provocations street performer, or because it was filmed in a neighborhood she knew. Glad I got tickets, to be returned home safely, that the decorations were nice to look at, that music would not do him much earful as she feared, that the book had only eighty pages, the time interval allowed her to eat a sandwich, that the piece was written in a language intelligible that the choreographer has provided for the simulated coitus, the opera ends before the last metro glad I bought the catalog of the exhibition and the museum is not on strike. That the pyramids are in place and the Raft of the Medusa like himself. They speak well in the newspapers of what she had seen the day before. It can talk to her friends at tea time.
In addition to being happy, she felt sometimes (as in the work of living flesh of Deborah Gonzalez) indescribable emotion that, although belonging to the bourgeoisie and secular intellectual fonctionnariale this caste guardian of the Logos, it would struggled to describe.
It was crouched on the floor, head between his shoulders, he is lying on his belly, looking the secrets of the earth and another on his knees in prayer for hints of blasphemy raises a fourth adopted a neutral but traces of bites and body modification Past punctuated his body. At the center of the exhibition, the artist had planned a meditation space, where visitors were invited to immerse themselves. It was a magic circle drawn on the floor with a projector in the center that sent the ceiling of abstract figures, fractals, stains Rochsach
... Unfortunately, there was a guy who was reading the newspaper, what was he doing here? It disturbed his meditation, she could not help but read over his shoulder, but here in this space which was being built for posterity, the insignificance of misery broke the news fugitive and nonsense trotted out by politicians. But she was stronger, as if this incident had banal citizenship here.
Pourtrouville Sports Centre, in the Val d'Oise, had exploded for the third time. They had found the gas cans, gas bottles and jagged traces of explosives professionals. It was suspected that two of the band members had been sentenced to several months in jail for similar explosions. They had received training and rehabilitation of a personal psychological. The population was appalled and the city fathers did not understand. Why pick on the emblem of their generous efforts of solidarity and integration of young people in trouble? Ministresse the Youth and Sports called for respect, respect for the party, respect for the friendship, respect community values, it would launch a campaign of respect in schools, there would be exhibitions by artists citizens on respect, footballers would go talk to young people, we organize a celebration of compliance with rock bands and TV stars. The ministresse said that the dawn of youth festival would take place, whatever one thinks, for State and local treasure trove of generosity, and we would rebuild the sports center for a third time, a fourth if necessary, until these young people understand how the authorities liked. Compassion, understanding, tolerance and openness, these are the values defended by the Ministry of Youth and Sports, and moreover that the Ministry of Culture of Solidarity, the state formed a compact block of positive energy, sounding for all the good wishes and thanks to the sports festival, the festival of culture and the celebration of youth, goodness would spread inexorably.
There were many other things in this newspaper spoke of intellectuals on the future of football, an official association frightened progress of obesity, the French agriculture was once again under the knife
throat ... Suddenly they heard screams, it was a scuffle here and there people ran about with fire extinguishers, whistles sounded, the panic came from the back of the room, the sound of approaching police siren could be heard crying scandal, others argued that it was expected, a happening of living art, the latest discovery of Deborah Gonzalez. Nicole Michaud nodded to learn more, it became almost amusing, one of the models was covered with paint, he foamed with rage, they saw two clear out Mickey, a Scrooge, a King Kong and a Steve McQueen armed with bombs aerosol and a squad of nurses arrived, another model, also brushed, rolled on the ground, gripped by a fit of sobbing, laughing under the eye of a group of college students in pajamas extra-large, guarded by a teacher who angrily pressed the buttons on his phone. A guy in uniform, strong odor of alcohol, explained by a babbling bourgeois very angry that although he wore a uniform, he was in no way responsible for safety, he was reluctant to police because he found all forms of repression and morally reprehensible we had reclassified its status to that of cultural leader. The missus grew angry, and invoked the civic republican values. The employee, whose stammer growing logorrhea degenerated into unintelligible, answered him, it seemed, he believed above all in solidarity. They were jostled by three fellows armed with fire extinguishers shouting orders into the microphone on their walkie-talkie. A manager told police the direction in which the masked gang had fled, the museum guards gently repelled the crowd to the exits, you could read in their faces the satisfaction of returning home soon after this unexpected entertainment.

Irish Berthday Gratingd

CHAPTER 4 CHAPTER 5 CHAPTER 3

Until the age of fourteen, Rocquencourt Anne was educated in accordance with the principles of his father. The first of them: to eradicate taboos Judeo-Christian leaders of many neuroses. At five years he had offered one of these educational textbooks modern depicted unvarnished copulation. Then he showed him pornographic video cassettes (selected for their good taste) so that it became aware of sexuality in all its richness. However, she had to wait thirteen years to be deflowered by a classmate about to give up cannabis to try hard drugs. The following year, the fellow in question died in a tram, but not before his parents reduced to extreme poverty. This was after the tragedy she realized that, contrary to the ideology father, she had not exercised its full sexual freedom, but only attempted to answer his father's expectations. Granddaughter, yards and vaginas in action does it recalls nothing more than pieces of meat. And yet sad and painful that she had suffered no answer or a desire or a feeling for this boy she hardly knew, but the dirty looks from her father whenever she showed too much interest in school work or inspirational books of the last century that he collected, but he disapproved of the reading.
The rest of his adolescence was marked by silence. She avoided his father, Spirou or secretly read books on Scouting, listened loop the chorus of Aida, while Felix Rocquencourt inaugurated the latest happenings of conceptual art. It was a rediscovery of illegal values obsolete, now banned, which detracted nothing from its charm: the camaraderie, effort, sacrifice, loyalty. She took advantage of the bibliophile father to browse the moralists pompous and bombastic, heroic tirades of Corneille and Bossuet's sermons. She attended a Catholic association in secret (his father suspected something: it does not burst out enough, do was not enough love). She thought for a time to enter Caramel.
It was during this period of confusion it reaped the glue that would allow him to pick up the pieces. His mother was a small provincial bourgeois, a line of notaries. She aspired to establish a home and that there is the more mundane. Young student, she became enamored of Rocquencourt, who instilled in him the new legal fashion. She could not resist his magnetism and his sardonic paradoxes. He swept his dreams of working girl, made her understand that it was alienates social, and glimpse the desires simmering in cattle and she only wanted to break their shackles. He introduced her to psychoanalysis, free love, lesbianism. It was the era of unfettered enjoyment. They organized loud parties, full of intellectual slobbery, careers staked petitions, and for whom the sense of history lay in the murders of the Baader-Meinhof gang. It lasted until three o'clock in the morning, they prevented Anne to sleep. She had to cross the dining room for the toilet, they stared as the game, under the approving eyes of his parents, the year of his twelve years, they yielded almost an old dyke who claimed they were saying that it would have been a learning experience, it would have uninhibited; therapy like any other, somehow.
There was nothing to build, no plans, no goals. Just inconsistent impulses to which the new ethic that would cede. To escape the specter of repression, frustration, inability to enjoy. And also to overcome the social constraints, posed as an axiom indisputable that they were more painful, more outrageous and more sordid than the new slavery of enjoyment. But then his own existence merely the result of the conjunction of two random animal instincts, whose paths had met at a specific point in space-time in a set of measure zero. There was no decision back there, no love, no desire even that did not carry his being the determinism of the sap, it was indebted to his parents that the choice not to have it destroyed in its infancy.
Nature chance of its existence, with its corollary: the impossibility of access to happiness, was confirmed when her father dropped her mother as a shirt too worn. Under the libertarian and hedonistic precepts that governed the home, she was not entitled to complain. The man and the woman enjoyed full autonomy in their pursuit of pleasure. They were not bound by any covenant, no bourgeois convention, and even if a contract would have benefited both parties, it had to be renounced in the name of the fight against patriarchal institutions. But in practice, this meant that Anne's mother found himself in the street, perfectly helpless, and that day she realized she was a unique case and not included in the blueprint of humanity in motion, in that the artificial goals that the oppressive system he had supposedly set, coincided exactly with his animal instincts, which therefore did not need to be deported: that sinking a happy life with the man she loved. But there have been noticing twenty years earlier, and that would have triggered such a scandal ...
Anne's mother quickly ended his days in a nursing home, and was replaced by a bunch of young artists, full of future. They settled a few months time to get a grant. It was better for them than to the sidewalk, it was less tiring.