constructivist philosopher did not tolerate the light. He lived cloistered all shutters closed, in an old apartment in the Rue Boulard. A reigned in unspeakable filth there. Orange peels, crumpled packaging, dry food for cats and moldy coffee filters dragged here and there among the old issues of the Review of Constructivist Philosophy he edited. Human time was a social fiction that he had substituted its own conventions lonely it is unnecessary or impossible to specify the hours of his meals and work sessions, which obeyed to any specific rhythm and whose relation to the natural cycles of the calendar was unstable and chaotic . The only relevant thing that concerned the constructivist philosopher, was the work to which he worked for two years, and which focused on the eradication of male. It was a fashionable idea, although not new and that he could in no way claim authorship, dating back at least to the SCUM manifesto of this poor mad Solanas. The philosopher constructivist nevertheless intended to provide rigorous analytical foundation to the project's most important human evolution. First observation: the male is responsible for almost all of social violence recorded since the story exists. Second observation: the endpoint of technological change is reached, negating the usefulness of the creators manic-depressive, the overwhelming majority are men. Worse, the modern economy requires qualities of attention, physical inactivity, order and dexterity, imposing a structural disadvantage for males come on the market, as evidenced by the inferiority of their academic performance. The unsuitability of males to modern life, each day further from the primitive bestiality, resulting in a widening gap between their life and that of females. Thirdly, a myriad of psychological studies had firmly established the men's emotional disability. On the one hand, and it overlapped the hormonal and neurological evidence-their ability to feel emotions of fine quality was zero, and the richness of women's experience, his nuanced palette of exquisite feelings, their were ever-prohibited unfair consequence of chromosomal determinism. On the other hand, the sexual instinct overwhelmed them as a burden, control of animal instincts was a struggle all the time, and like the dikes must inevitably give way one day, in the era of reciprocal altruism and compassion for the weak (high values female), each male was a potential danger to social stability. Fourth, thanks to advances in genetic engineering, the species now controlled their own evolution, and the abolition of sexual reproduction was possible. Although the constructivist philosopher was revered in academic circles on the planet, those in France among non-specialists might have mentioned his name, could be counted on the fingers of one hand. Yet his influence was enormous. Number of policy makers, manager, planners bureaucratic fashion gurus, ayatollahs of aesthetics had been teaching at the Ecole Normale Superieure. The twenty-nine volumes of his Summa Constructivist enthroned in the reading room of many men, among those who really counted. The doctrine budget of the Ministry of Cultures Partners proceeded entirely from ten pages of Volume XVII - Aesthetics - devoted to the theory of Random Art. Neurologists showed the particularly chaotic brain connections among major creative geniuses such as Rimbaud, Saint-Exupery, Malevich or Jim Morrison. The constructivist philosopher proposed to base the art of tomorrow on "intersubjective connections chaotic." In other words, the spark of genius proceed now rare and fruitful interactions between distinct individuals. The twentieth century saw the final breath of the creative potential individualism hideous. Regeneration of Western art went through cooperation between human beings, by hybridization of their conflicting personalities, which flashed like an electric spark the masterpieces of the new society, just as, as shown by Volumes IV and V devoted Economics, individualism had failed to produce equitable wealth and should eventually give way to a planned system using the best altruistic sentiments of everyone. Since the construction of the new man - who is a woman - and that of art its own would not progressing at the same pace, it was not to judge works of art with our new criteria reactionary, bourgeois and patriarchal. The Ministry of culture and solidarity can only be a conservatory all possible, any work produced by the method of intersubjectivity could legitimately claim his spirit, until the new society was firmly established and its elites can make the sort out the mess of artistic biodiversity we have left them. Tens of memoranda carefully rewritten by each hierarchical level, were circulated within the department, about the practical implementation of the aesthetic theories of Aristotle. Whatever it was difficult to discern at first a work of a work intersubjective ordinary as artists infected egocentric romance might fraudulently claim to subsidies, we had established a relatively reliable, especially when s' acted to punish officials suspected of distributing public money on the basis of their personal conception of beauty, pleasure, or commercial drift lower, because they had noted an early popularity.
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